Writers' News

For a wide range of services for writers, visit our links page

Writing Magazine

Competition Showcase | Online competition | WN competitions | WM competitions | Rules

Competition Showcase – A Second Chance by Claire Powell

 

About Claire Powell
After a degree in English Literature at Cambridge, Claire Powell taught abroad before returning to the UK to work as an editor of educational books. In her free time she writes short stories and plays. She is currently collaborating on a radio drama with Cambridge-based writing group, WriteOn! Her first piece of dramatic writing, Stealing Summer, won a place in the BackDoor drama festival. A Second Chance is her second published story; her first was a romance for teenagers. Her ambition is to continue to write plays and short stories, and ultimately to write a novel.

A Second Chance

by Claire Powell



‘That was really delicious, Jenny.’ Dad smiles across the table. It’s just after Sunday lunch, and they lean back happy in their chairs, their stomachs rounded with food. Everyone’s all warm and content. Except me. I’m eyeing the tablecloth terrain, my hands clenched, preparing to battle with the food-smeared plates. They’re stacked high and dangerously slippery, thanks to the brown and green slush between each layer of china. Knives, forks and spoons glint evilly from their vantage point on the top of the pile, their sharp edges red, brown and yellow from the food-flesh they pierced earlier at our hands. Albert leans over the high chair tray and, with one swipe of his pudgy arm, knocks a cup onto the floor. It doesn’t break. Pity, it would be one less to wash. Albert’s fat fist tightens around the tablecloth. Quick as a mother’s heartbeat, Jenny’s there, swooping him up out of the highchair and into her arms.
‘Oh, Mary, could you clear the table please, there’s a good girl,’ she asks.
That’s all I’ve been, ever since Jenny came on the scene. A good girl. Very useful for her. And Dad. Those two just go off and have fun together. Dad’s second chance, luck’s on his side now, he deserves better than what he had first time round – those were the family stage-whispers at the wedding, and then lipstick smiles for me: ‘Such a good girl.’ Today, it looks like a painting – the three of them on the sofa in the lounge, Dad’s arm around Jenny as she rocks Albert to sleep. Like a Christmas crib scene. Except the guardian angel isn’t floating beautiful over the stable, she’s stomping to the sink, weighed down with half a ton of greasy plates.
I run the tap faster than I need to. The water splashes dark flecks on the curtains at the window by the sink. The white material crinkles slightly, like a wedding dress caught in the rain. I turn the tap as far as it will go. With both hands, I squeeze the egg-yolk yellow washing-up liquid into the swirling water. It foams up immediately, and a heavy, not quite-lemon smell spirals up into the air. The tapwater roars, drowning out the laughter from the lounge. Good. It drives me mad that I’m not having fun like they are. Fun? I’m the girl that fun forgot. It’s not like I expect to be Little Miss Popular all the time – I have Bad Hair Days and Hide Face under Paper Bag Days – but I do have some friends, and I missed a phone call yesterday because I was WASHING UP! Can you believe it? By the time I’d broken free from the sink, changed my soapsud-spattered clothes, and my dear, ditzy Dad passed on the message, my friends were all on Voicemail. I found out later – too late – that they were at the cinema, watching a film I’d wanted to see for ages.
And it’s not the first time it’s happened. The thought of all the other times I’ve missed out, due to babysitting or last-minute shopping (‘Albie’s run out of nappies’) – it makes acid creep up the back of my throat. It’s just not fair. Sure I’m happy for Dad. I suppose Jenny’s not exactly a witch, she’s very pretty, has a job, and most importantly, she doesn’t stash bottles of gin at the back of the wardrobe or cry for hours on end in the bath. After Mum, Jenny must be like all Dad’s birthdays and Christmases rolled into one. But what about me? I always used to be there for Dad. I would sneak out for takeaway dinners, so that there was food on the table when Dad came home. I rang the ambulance every time Mum went to pieces. And now Dad’s got a happy family again… but I feel as if I’m the left-overs from the past, like the ugly oily slops that slide off the plates and plop onto the black plastic bin bag. The smells of stale gravy and rancid old vegetables hit my nose like an assault. It doesn’t matter how we dress up the stuff on the plate: food is starting to make me feel sick.
The basin’s overflowing with water. I don’t care. I slide the food-streaked plates into the froth and steam, hearing the plates’ bubble-smothered clunks as they sway down through the water. On go the Marigolds. I bought them myself – dish-pan hands at fourteen just isn’t happening. It would have done, because every day, it’s like this. I know every chip and crack on every cup and bowl. I know which plate I’m washing even through rubber-gloved fingers, I know every frilly porcelain edge and smooth china curve better than my own skin.
Over the tapwater splashes and the clatter of the plates, I can still hear Dad and Jenny’s laughing, and Albert’s gurgling, being cute – was I cute once? Did Dad ever love me as much as he loves Albert? Now that my face is the ‘Before’ part of the Clearasil advert, and my body always feels lumpy and too big, am I just someone he’d rather forget? Something grasps my throat tight and pushes tears to my eyes. I hear Jenny’s laughter from the lounge. It sounds like two glasses chinking together. My fingertips tingle with rage. My hands shake as I pull plates out of the water, lift them up over my head, and throw them hard down onto the tiles. CRASH! It feels good to lift my arms so high. Soapy water runs under my sleeves, foam feathers drift onto my shoulders. A scream squeezes out, scratching my throat, as more china crashes and shatters on the floor. I’m not a good girl, I’m horrible – I want to break every plate in the house. I want to break everything.
And then Dad’s there at the kitchen door, with Jenny close behind him. Their eyes are big and round, their faces are white. I crumple down onto the floor, my back against the wet cupboard. In two strides, his shoes crunching on the splintered china, Dad is crouching down with me, his arms around me. He motions at Jenny and she retreats to the lounge, just as it all starts to bubble out between chest-jerking gulps, how I feel – like I’m some stupid Cinderella, like I just have to be a good girl all the time.
‘But Mary, you are good!’ Dad hugs me tight. ‘With both me and Jenny working again, it’s really good that you help out as much as you do.’
‘But no one cares about how I feel!’ The words kind of tumble out. ‘It’s like, now there’s Albert, and Jenny, there’s no room for me, you don’t want me around, so you just get rid of me all the time, in the kitchen, away from you.’
I’m half-afraid to say how it felt to me a minute ago – how the anger flooded through me dangerously fast, snarling over something red-raw inside me; how I wanted to break everything and make everything feel as bad as I did – and how now all I want to do is cry and cry, and be held.
‘Jenny and I – ’ Dad started ‘ – I suppose we’ve been so busy with Albert, and Jenny going back to work. We just didn’t think. No wonder you’re so angry. We’ve taken you for granted.’ Thickly: ‘I’m really sorry, Mary.’
I snuffle an ‘OK’ in reply. My legs are shaking now, probably because I’ve been all squished up on the floor, like I’m trying to disappear into the cupboard under the sink.
Dad helps me to my feet, and we stand and look out the window. The garden is grey-green and brown, brittle black branches point at the overcast February sky. Dad looks down at the sink, piled high with thick bubbles. He pushes his fingers into the dense froth and then lifts them out. The holes hold firm, like footprints in snow.
‘Do you remember that spring when we had the bubble-machine?’ Dad asks.
Of course I do. I was about five I think. Dad bought it. It was made of red plastic, had lots of strange levers and knobs like an invention from Charlie and the Chocolate Factory, and you filled it with a mixture of water and washing-up liquid. When you pumped the handle, a torrent of bubbles streamed out. It was an early spring day, the sun dancing the garden back into life. Mum made the most bubbles – it was one of those rare afternoons when I remember her laughing with me. The air was full of miniature rainbows. I raced about, either trying to wave the bubbles higher, or pretending to catch them. I think now I was trying to make the laughter last as long as I could.
‘We’ve probably still got it,’ I say quietly.
‘That’s good. Washing-up liquid isn’t just for plates, is it?’
We both look down at the broken dishes on the floor, then back at each other, and there is a flicker of laughter in my Dad’s eyes.
‘That’s just as well,’ I say. ‘We don’t have many of those left.’
Dad’s voice is light and tentative. ‘Why don’t you come through into the lounge? See if you want to watch some TV or something?’
I look down at the floor. ‘What about the mess? What if Albert…?’
‘Don’t worry.’ Dad’s hand squeezes my shoulder. ‘I’ll clean up. Later. Albert’s going to have his nap soon anyway. You come and sit with us.’
Isn’t life strange? Tucked here on the sofa, next to Jenny and Dad, I’m still working it out. I’ve had a tantrum worse than one of Albert’s and broken almost every plate in the house, but somehow, I feel like I’m part of the family again. It’s big enough for me too. And I don’t have to be the guardian angel anymore. Maybe Dad’s not the only one getting a second chance.


Judging comment
I’m the girl that fun forgot. That is a very strong line, and it captures Mary’s problems in one brief phrase. In every good short story, the heroine needs to have a problem to overcome, and a mistake that many beginner writers make is to invent an overly dramatic problem. Mary’s problem is not that she has to escape from a crazed gunman or that she has to avoid starvation, or anything else terribly dramatic. It is just that she is taken for granted within the new configuration of her family. That is a very human emotion, and a very human problem.

Certainly there is an element of drama in the way the problem is resolved: Mary smashes the china to bits. But that moment of drama evokes another very human counter reaction – and all ends well. It is all simple enough, and the strength of the story is in its telling. Well done Claire Powell.