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Competition Showcase – The Spirit of Friendship by Elaine Miles

 

About Elaine Miles
Elaine Miles is originally from London, but after living abroad for ten years she returned to the UK a few years ago, and now lives in Bath. She is divorced with two teenage sons. She has had a varied career in publishing and advertising, and now works in financial services. She started writing just six months ago in her spare time, and has never been published, so winning second prize in Writing Magazine’s competition was a very pleasant surprise.

The Spirit of Friendship

by Elaine Miles



I’m drifting about on the platform at St Albans station when I spot them - the usual gang. They’d stand out in any crowd. There’s Laura, pretty and lively with confidence to match; Heather, chatty and sociable (she’s got a wicked sense of humour); Isabel, academic and ambitious, with long, ice-blonde hair; and Pippa – giggly, very sweet, more than a bit dizzy - and probably the most popular of them all because of it.
And now they are four. I was the fifth – and I was, in every sense, the fifth – but no longer.
I wonder whether they miss me, or whether the gap I left behind has simply closed over, as if I was never there at all.
We were friends all through primary school and into secondary school. Laura was my best friend, but I always knew in my heart I wasn’t hers. It was understandable – she’s outgoing and popular, whereas I was shy and a bit unsure of myself. I had tried to be more like the others, but it was hard work trying to be more interesting than I felt. Sometimes I used to think that ducking out of the group and making friends with the smelly girl in Biology with the lazy eye would have been simpler. They seemed to find life so effortless, as if they had the world at their feet. I was still trying to find mine.
It’s not that I blame them for what happened, and I don’t want to frighten them (I make sure they never get even a glimpse of me), so why am I hanging around them, even now? I watch them in the station café every day, buying their breakfast of smoothies and snacks (fruit for Laura – she’s a health nut), and of course deep down I know why I’m there.
I need to understand why they left me behind on that day.
‘The train arriving on Platform Two is the 08.16 to Elstree.’
There they go – spilling into the train – making a dash for any available seats ahead of the smart, taut-faced commuters. They sit in a ‘four’, and today I glide in right behind them, ticketless and chuckling at the freedom of it. I always used to end up sitting on the other side of the gangway, before, craning my neck to hear their conversation – shouting ‘What?’ at regular intervals and pretending not to mind if I didn’t get an answer. But today I can sit wherever I like. No one will notice. I plonk myself down on a rather po-faced businessman’s lap to start with, just for a laugh. Then I go and park myself slap bang between Laura and Heather.
They seem pretty cheerful, considering. Not that it makes me feel sad or anything. I just notice it, that’s all. They don’t talk about me. It’s as if I never existed.
The train enters a tunnel and the carriage lights flash on. Laura, seated at the window, gazes thoughtfully at her reflection; hypnotised by her own stare. Out of habit, I search for my own reflection – and of course there’s nothing to see. That’s how it felt being friends with Laura, come to think of it – as if there were two of her, and none of me.
The train pulls in at Elstree and they head off to school, leaving me to waft around the station till they return to take the train home. My favourite game is to wander onto the tracks into the path of the oncoming trains. The drivers can’t see me anyway, because they never knew me, and it’s quite funny to see them roll right over me, oblivious. It’s a bit scary the first time you do it, mind you, because you can’t quite believe it won’t hurt, but once you get over that, it’s brilliant. And it’s such a thrill to be so daring – I was scared of most things, before.
But then I guess I’ve a lot less to lose now, haven’t I?
We used to meet at the school gates at four o’clock each afternoon to make the journey home, under strict instructions from our parents never to travel alone – especially in winter. No one wanted to anyway – there were some funny people about, as my Mum used to say. ‘There’s more out than in,’ my Dad would add, ominously.
On that particular day, I had needed to see my tutor after school. I had told Laura about it, I know I had, and she promised they’d wait for me. I rushed to the school gates as soon as the tutor let me go - only to find they’d gone without me.
I panicked a bit, because it was almost dark by now, and legged it to the station, racing onto the platform just in time to see them disappearing onto the train. The doors snapped shut, and they were gone. I couldn’t believe it - they didn’t even look around for me – not once.
So they didn’t see me standing alone, in that quiet, slightly spooky pause between one train and the next, the platform deserted and strangely silent, after the waiting passengers have been swept away, and before the platform has begun to fill up again. They didn’t see the tall, bearded, scruffy-looking man with the creepy, staring eyes, hanging back in the shadows; didn’t see him bundle me off towards the dark, deserted end of the platform. Didn’t see him push me into the bushes.
You can guess the rest, I expect. It was in all the papers, anyway.
I watch them each day, and I still can’t understand why they went without me. We were supposed to be friends, to watch out for each other … and I know I’ll be on the train with them every day, until I have the answer …
It’s the last day of term today and they’re chatting and giggling as they wait for the train home - Heather’s got them all in stitches as usual. They’re pretending to be oblivious to the attention they attract, but a casual swish of the hair from Isabel, the briefest of sidelong glances from Laura, a slightly stagey, over-tinkly laugh from Pippa, and you know they’re acutely aware of their power to captivate, to entertain. I would never have noticed that before, but it’s crystal clear to me now.
There’s a new girl with them today. She looks nice – quiet, not very confident, not especially pretty either, but she’s got a nice smile. You can see she’s trying hard to keep up, but she’s up against it, because they’re all on form today.
And as I watch her, it suddenly dawns on me that the new girl is another version of me; the girl who’s punching slightly above her social weight, bound eventually to float right out of their field of vision.
And that, I see now, is what happened to me that day. They didn’t leave me behind on purpose. I simply fell off their radar for a moment, and that was all it took.
It’s in that flash of realisation that I spot him. Hanging back from the crowd, paying dangerously close attention to the girls with his murderous, feverish stare.
They never caught him, then.
Tensed in sinister readiness, it’s clear my friends are the new object of this sad pervert. All he needs now is an opportunity. The idea of any of my friends suffering my miserable fate is chilling; he’s got to be stopped.
At that moment the train screeches in, and the girls make a dash for the doors, jamming themselves onto the packed train. The new girl is trying to keep up with them, but she’s smaller than they are, and is being pushed back by the crowd … I’m suddenly so afraid she’s going to be left behind, and to my horror I realise it’s like watching myself all over again… why, oh why don’t they watch out for her?
What happens next stops me in my tracks. Laura turns, looks around for the new girl, catches sight of her, grabs her hand, and pulls her onto the train.
The doors close – and the train whisks them to safety. Overwhelmed with relief, I knew I had seen what I needed to; my friends would watch out for each other from now on, I was sure of it.
And so I turn, triumphant now, to savour my attacker’s disappointment, only to find him staring directly at me in sheer disbelief, his face grey and hollow with terror and shock. Quick as a flash, he turns on his heels and heads for the exit, knocking the poor ticket collector flying, fleeing down the station steps with surprising speed. As he disappears. rat-like, into the underground walkway, he glances back just once, appalled, only to find me grinning cheerfully at him from the top of the staircase. It’s an ironic, rather amusing reversal of events, I feel, but then some people have absolutely no sense of humour, do they.
Honestly. Anyone would think he’d seen a ghost.


Judging comment
If you are going to write a ghost story, you still need to pay attention to your characterisation and you should also give your ghost a problem to overcome. In Elaine Miles’ story, the characterisation is very well drawn; the ghost is that of the girl who didn’t quite fit in. She wasn’t sufficiently sparkling, good looking and generally successful to be fully accepted by the gang she mixed with.
Her problem is that she needed to know why: why wasn’t she good enough? She solves that question easily enough when she realises that there was no particular reason why she was not popular – she simply, as Elaine Miles nicely puts it, fell off the radar. She just wasn’t important enough.
But she finds a consolation. It seems that she did make a difference after all: the gang now look out for the new girl, and won’t leave her to suffer the same dreadful fate. And the ghost gets a bonus as well: She is able to scare the daylights out of her killer.