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Competition Showcase – Can't Walk Away by Jo Baker

 

About Jo Baker
‘A few years ago I took a Writers’ News home study course and have made use of my tutor’s good advice,’ says Jo Baker. ‘I have completed five novels, one of which I am sending out to agents. My short stories have been shortlisted in several competitions, including several in Writing Magazine, but this is the first time I have been placed. One of my stories is coming out in My Weekly in the New Year.’
Jo belongs to Thames Valley Writers and has edited and written for a community magazine and currently writes funding applications for a charity.

Can't Walk Away

by Jo Baker



‘What’s wrong with that man Mummy?’ asked Jess.
‘Shush,’ I tried to distract her with the gazelles, but her attention kept looping back to the man in the wheelchair. His nurse pushed him closer to the barrier. It was hard not to stare, although I tried to be more discreet than a six-year old.
His haircut was shabby and he gawped at the gazelles with slack mouthed wonder. His jumper showed a countryside scene collaged from patterned fabric. The kind that, on Marty, had looked radical yet endearing, but on the wheelchair man just looked pathetic.
The thought of Marty gave me a twinge as usual, but I tried to stop the rush of regrets.
Geoff had been the one to tell me about the fatal car crash. But Geoff, being his usual critical self, had revelled in telling me about the huge amount of alcohol in Marty’s system. I didn’t have permission to grieve for someone as irresponsible as that. But it didn’t stop the emptiness of knowing my ex-boyfriend had been wiped out of existence.
‘Why’s he dribbling Mummy?’
I pulled Jess further away, then crouched and whispered: ‘His body doesn’t work properly.’
‘Is he going to die?’
‘How should I know?’ The questions made me uncomfortable. I ought to be able to deal with this. ‘Maybe he’ll live to be a hundred.’
‘And stay just the same?’
‘Look Jess, I really don’t know. What do you want me to do? Go and ask him?’ I regretted the comment even before Jess replied.
‘That’s a good idea.’
‘No. It’s nothing to do with us.’
‘I’m just being friendly.’
‘It’s not always good to be too friendly. He probably doesn’t really understand what’s going on. I expect he’s happy enough. Just leave him be. Let’s go and look at the penguins.’
Once safely away with the penguins I couldn’t relax. Jess’s attitude was so simplistic. I didn’t want to weigh her down with society’s polite blinkers, but I didn’t know how else to handle it. We watched the penguins being fed. Jess screeched with excitement every time one gobbled down a fish with an arch of its neck and beak to the sky. When they all finished they flapped and shuffled, then slipped into the water one after another like rice pouring into a pan. We watched as they were transformed into torpedoes speeding through the water.
Jess ran ahead to the leopard enclosure. When I caught up she was standing on the ledge with her face pressed up against the glass.
‘I can’t see anything.’
The sheet of glass didn’t seem substantial enough to keep her safe from the lunge of a leopard, but I resisted the urge to pull her back.
Shading the reflections from the glass with my hand I peered into the lifeless arena. ‘Let’s go up to the top - see if we can spot the leopard.’
Jess ran ahead, her feet pounding up the wooden walkway. Then I saw it; slouching along underneath in the shadows.
‘Hey Jess. I can see it.’
She ran back, but the leopard had already walked away.
‘Where?’
I spoke close to her ear, ‘I think he’s hiding.’
‘That’s mean,’ Jess said in a loud, six-year-old whisper.
I said nothing, but felt like an intruder snooping at windows without curtains.
Then there it was pacing the perimeter of the cage, paws padding purposefully, disguising the strength and speed hinted at by muscular shoulders. The long tail was held low.
‘He’s so cute. I wish I could stroke him.’
‘No you don’t. Leopards are dangerous. Look at the cage so it can’t get out.’ Jess followed my gaze up to the leopard’s wire-gridded sky. ‘He looks trapped.’
The leopard stopped pacing and stared as if it had understood our words. Jess took a tiny step back.
‘He looks cross.’
The leopard started prowling again and we watched him do a few more circuits until Jess grew bored.
I looked back once. He was still staring after us. Perhaps visitors were a welcome distraction from the bars of its cage.
‘Ice cream time Mummy, you promised,’ said Jess, pointing at the ice cream hut by the monkeys.
There was a queue and the man in the wheelchair and his nurse were in it, one family from the back.
I tried to steer Jess away to avoid more embarrassing questions.
‘Let’s try somewhere else the queue’s too long.’
‘I can be patient.’ She stood with her hands by her sides, looking angelic. I couldn’t say no to that.
I tried to keep Jess amused with the zoo map and brochure. ‘What shall we see next?’
The nurse was saying the same kind of thing to the man in the wheelchair. I watched through the screen of my fringe. Would he answer?
Suddenly the man in a wheelchair was rocking and honking. Jess watched openly. People in the queue looked, hurriedly looked away, and then sneaked glances back. Much like I was doing. There was something embarrassingly indiscreet about his behaviour, and ours, but the nurse was unconcerned.
‘Giraffes? Rock cats?...’ she tried each of the animals with unshakable patience. How did she do it? I got frustrated with Jess for taking too long deciphering words in her reading books.
The family between us and the man in the wheelchair left the queue, muttering that it was taking too long. But I could feel their embarrassment leaking out in little glances towards the man thrashing around in his wheelchair.
I watched the nurse lean closer, stroke his shoulders and speak softly in his ear. The thrashing ceased, but he made hideous grunting sounds and stabbing gestures.
‘Come along Martin, calm down.’
Martin? Marty? No, it was coincidence and impossible. But all the same, I tried to shave off the non-style hair into a Marty bald-cut. I tried to visualise the features alive with disgust, or amusement. Could my Marty really be trapped in a helpless body? Geoff had told me he was dead. But my sneaking mistrust of Geoff collapsed into disbelief. Was this another lie? Had Marty died in that car crash?
The nurse wheeled him out of the queue, closer to the monkeys and suddenly it was our turn. I’d lost my appetite for ice cream, but bought one for Jess. We sat on the grass behind the hut, out of sight. I scrolled down to Geoff’s number on my mobile and called him.
‘For God’s sake Kat, you’re not still thinking about that selfish loser are you? For the last time, your precious Marty was wiped out in a car crash.’
‘Wiped out? You do mean dead?’
‘Not around for you to obsess over.’
‘But not really physically dead?’
‘As good as.’
‘What does that mean?’
‘Brain wiped, brain damaged. The Marty you knew gone.’
‘You lied to me.’
‘No, I just let you believe what was easier.’
‘Easier for who? You? You never could stand the competition.’
‘Don’t be ridiculous, someone like that is hardly competition. Anyway, why now? Why bring it all up again?’
‘He’s here, sitting outside the monkey cage.’
‘He’s not…you’re not…’
‘Sod off Geoff.’
‘Don’t say bad words to Daddy.’ Jess looked at me briefly, with adult disapproval, before turning her attention back to her ice cream.
She licked methodically around the cone, her hair sticking in the white ice cream smeared across her cheek. I left it. Would Marty’s nurse wipe ice cream from his face?
Cold certainty settled in my stomach. It had to be Marty. But was there any of my Marty left? And was the woman just a nurse or his girlfriend or wife? I felt a deep stab of failure. I didn’t think I could have stuck by him after the accident.
Ice cream dripped down Jess’s chin onto the neck of her pink T-shirt. Caring for Jess was so short term and simple. My commitment as a mother was suddenly inadequate. I dabbed at her face as she protested and squirmed.
Marty grunted and gestured with greater emphasis as we passed. I grabbed Jess’s hand to pull her away, suddenly paranoid he was gesturing at me.
‘Excuse me.’ The words chilled me to a standstill.
‘You’re hurting,’ said Jess. I forced my fingers to unwind and turned to the voice. Every degree of movement pulsed with pathetic excuses.
The nurse’s eyes fluttered from him to me. A smile flickered at her mouth, but she pressed her lips together.
‘I think… I think he recognises you.’ The unshakable nurse had turned into a lip biting, hesitant woman.
I looked at the woman for help.
‘He understands more than you think. Just talk to him.’
We were talking about him as if he didn’t exist. Marty wouldn’t have let me get away with that. ‘Don’t walk away Kat,’ the old Marty had said every time I avoided a tricky situation. He’d never taken the easy way out - walking past beggars, slamming the door in the face of Jehovah’s Witnesses or blanking drunks. ‘People are always people if you look hard enough.’
Geoff never saw it like that. He didn’t challenge me. Life with him was easy; irritatingly easy. He never bothered to dig beyond first assumptions. Geoff was a practised beggar-dodger who closed his eyes to difficult people. Suddenly it was vital to be the person Marty’d wanted me to be.
‘Marty?’ I said the name, fighting the urge to let my gaze slip from his face. I hated my awkwardness. I hated Geoff.
An excited grunt and more head thrashing. His phrase - ‘If you look hard enough’ - went round and round in my head like a meditation chant. I crouched beside the chair and put my hand on its institutional, vinyl-covered arm.
‘Geoff told me you were dead. And the worst thing is he almost believed it.’
I prised my fingers from the safety of the solar heated vinyl and touched his hand.
Marty became still; watching me like a caged leopard.


Judging comment
Jo Baker has written a story that centres around a powerful image: that of the caged leopard. It acts as a metaphor for the brain-damaged, wheelchair-bound Marty. Both the leopard and Marty are caged: Marty caged by his damaged body, the leopard caged by its enclosure. They can both see the world only through a dingy window and can see the sky only through a wire mesh. They are trapped behind the window and the mesh.
The image is all the more powerful because the story is so simple. Kat takes her daughter to the zoo, and there she meets Marty. That single, brief, sentence captures the entire plot. And one of the reasons that Jo is able to keep her story simple is that she knows when to stop.
The story stops as soon as Kat and Marty meet. We do not see their relationship developing from there, we don’t even know if it does develop. It doesn’t matter. Jo has told her story to the point that she has fully developed its central metaphor. She doesn’t need to add any more.

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