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Competition Showcase – The Bench in the Park by Andy Humphrey

 

About Andy Humphrey
Andy Humphrey was born in Birkenhead and now lives in York (with his wife and numerous goldfish). ‘I'm 36 and work as a full-time research chemist in a cancer drug discovery programme,’ he says.
‘I'm better known as a poet, really; I've had several competition successes (including four First Prizes) and poems printed in small presses including Aesthetica, Envoi, First Time, Monkey Kettle and Pulsar. I've been writing stories since I first learned to write, and have had stories published in Dark Tales, Delivered, and Scribble.
‘I am quite active in the literary world in York and appear regularly at open mike nights in the city, and am a member of the York Writers group. I am also an organiser and co-host of The Speakers' Corner, a performance evening for poets and storytellers which takes place monthly under the auspices of Aesthetica magazine.

The Bench in the Park

by Andy Humphrey



This is Jack’s bench. His name is spelled out on a little brass plaque: in loving memory of Councillor Jack Parkin OBE – beloved husband and father, and friend of the community. I had it put here in memory of him, at the top of the park, looking down the arboretum and across the sloping field where we used to walk. Two years now Jack’s been gone, and every day’s a little greyer without him.
This morning I’ve shared Jack’s bench with two spiky-haired schoolboys (probably truants); a tiny lady my age, a ratty terrier yapping at her feet; a traffic warden on his way to the high street, a young blonde mother with a toddler bundled in his buggy, and a fat man in a suit, dripping coffee from a plastic cup. They don’t speak, mostly. They think I’m part of the furniture – carved out of wood, a permanent fixture.
But I’m no ornament. Knees and knuckles might be stiffer than they were, but my eyes are as sharp as ever. And there’s such a lot I can see, from my vantage point on top of the world. Such a lot I see.
In twenty minutes’ time, I’ll be joined by a middle-aged man named Derek. He’ll nod hello and we’ll exchange pleasantries, then watch the people for a few minutes. After that he’ll get up and be on his way, usually leaving a plain brown envelope behind him on the bench.
No one will see me picking it up. They won’t know that the envelope is full of twenty-pound notes.
But then, other people don’t notice very much these days.
I come here every morning, recreating the walks that Jack and I used to take: watching the people, the scurrying commuters off to work, the sedate ladies walking their dogs. A little more gold and red creeps into the leaves each day, this time of year. Gradually the trees are turning threadbare, carpeting the park with musty, earthy leaf-litter. The light is fading too: every day a little more feeble, more grey, like Jack was before the end.
There’s the Tweed Lady, green wellingtoned in case of mud, throwing a ball for her red setter. I could set my watch by her. Husband’s off to London, to a dull, high-rise office block; kids have been packed in the 4x4 and kissed goodbye at the school gate; her next stop’s the park. The setter’s a fine creature, long and sleek, frisky. Could almost have been a show dog, Jack would have said – he did have an eye for animals.
A man arrives. Blue jeans, Barbour jacket, cap, a stride like John Wayne. His border collie’s off the leash, greets Tweed Lady’s setter with an excited bark, and soon they’re chasing circles round one another, tails wagging. These two meet like this every day. Tweed Lady rescues her ball, and the two dog lovers converge, nodding towards their pets like it’s the most natural thing in the world. Down the grassy slope they sidle, and by the time they reach the path through the trees they’re holding hands – a nervous, two-fingered contact, easily loosed in case of prying eyes.
He’s not her husband. He’s at work, incubating a coronary while he pays for the big house, the 4x4, the children’s dance lessons. This chap’s one of the local idle rich, nothing better to do with his time than contrive affairs with married ladies.
I know where they both live. I know more about them than they’d guess.
The town has changed since Jack and I first settled here. Today, everyone is in such a hurry, going about their lives, that there’s no time for people to get to know one another. Neighbours rub shoulders in this park without knowing how close their front doors are, how close their lives are. Nobody knows anybody’s name any more.
Jack was different. Everyone on our street knew Jack’s name, knew they could call on him if they needed a babysitter, or if the plumbing sprang a leak. They didn’t seem to notice me, though. Jack used to worry about what would become of me once he’d gone. Our living had always been modest, by our neighbours’ standards, and Jack had a habit of giving money away when he should have been saving it.
Still, I didn’t begrudge Jack his ways. It did his heart good to see his money make other people happy.
He made me promise something, a few weeks before he passed on. ‘You keep your dignity, Elsie girl, make sure you don’t want for anything,’ he wheezed. ‘Promise me you won’t just give up. That you’ll look after yourself, properly like.’
Elsie girl. I liked that. Even at the end, Jack could still make me feel like I was seventeen. I patted his hand and promised him, whatever it took I’d take care of myself. I tried not to let him see the mist in my eyes.
I’ve been true to my word. After all, I wouldn’t want to be a burden to the children. The ache in my joints isn’t getting any easier to bear, and there might come a day when I can’t get about by myself. James and Rebecca live too far away now, they have their lives and careers. Why should they have to spend their best years looking after an old lady?
‘Morning Elsie.’ A gruff voice above my head brings me back to the park, the earthy smells of autumn, and Jack’s bench. A podgy man in a grey trenchcoat perches himself next to me. ‘Bit of a nip in the air this morning, don’t you think?’
‘To tell you the truth, I don’t really notice.’ I’m well wrapped up – dark blue mac, scarf, cardigan underneath – and the chill from outside doesn’t bother me these days, not compared with the slowly growing aches inside. ‘You keeping well, Derek?’
‘Mustn’t grumble.’ He keeps up the small talk for a few moments, but doesn’t smile. We sit a little while in silence, our two pairs of eyes watching the wheeling gulls, the straggle of humanity around the park. Then he rises and says his farewells. A glint of autumn sunshine catches his glasses as he pauses, halfway down the arboretum, to look back at me.
The plain brown envelope is there – exactly as I knew it would be. Lying on the bench as if he’d dropped it.
Derek and I have had this arrangement for six months now. We’ll meet in the park from time to time. He’ll leave behind one of these envelopes, and I’ll be so good as to refrain from letting his wife know what he gets up to in the public toilets at the other end of the arboretum.
Derek lives in the next town. He has a desk job in a high street office. Nobody around here knows his little secret. His biggest worry is that the police might catch him. An old lady who sat in the same place every day, who happened to notice his comings and goings, hardly seemed likely to cause him any trouble.
We met over a sandwich lunch on this very bench.
I think it was a relief to him to know that I wasn’t shocked by what he does. He sees me as a sort of eccentric aunt now, one he can come to when he needs to tell someone how his wife just doesn’t understand him, how hard it is for him to lie to her. But mostly, we just talk about the weather.
I don’t ask for very much, really. He doesn’t miss a hundred or so each month, and it’s easier for him to pay than to go to his wife and admit what he is.
That’s always been my rule of thumb. Never ask more than they can afford.
I learned my lesson from that civil service chap – the one who left his laptop computer behind on Jack’s bench. I knew from his business card that he was important. But that first ’phone call was a little unwise. I almost asked too much. He threatened me with the police; I threatened him with the News of the World. It was like haggling the price of pork chops. We came to an arrangement in the end; he got his computer back, and I got my first two hundred pounds.
It’s such an ugly word, don’t you think? The ‘B’ word. I prefer to see it as a service to the community. When Jack and I were starting out, folk would go to the vicar to atone for their misdeeds. Today, they have me – a grey bit of lady on a park bench. I look after them, in my way, and I look after myself too, just as I promised dear Jack. There’s a nice bit of money put by, so that by the time the arthritis gets its grip on me, I won’t have to sell the house to pay for my care. James and Rebecca will still have their inheritance, such as it is, and I’ll still have the home I kept with Jack, the memories we made together.
I’ve been thinking I should find a better way to commemorate dear Jack. He gave years of devoted service to the borough. A bench seems a pitiful gesture to the memory of such a fine man. I’m thinking of a small statue, perhaps outside the town hall.
I reckon I have a couple of years to raise the money – and I think I know where to start.
Here’s Tweed Lady again, back from her morning’s dalliance. Climbing the grassy slope while her red setter runs ahead. Is it me, or is she looking a little flushed?
I push myself up from Jack’s bench, and start off across the field towards her. ‘Excuse me, madam. I wonder if I might have a word…’


Judging comment
Among the entries for the Bench in the Park competition we met a great many lonely old ladies. They were mostly harmless, well meaning souls, exactly as you might expect. But Andy Humphrey uses a technique that many short story critics call Normality Reversion. This is simply the art of creating characters and situations that are the exactly opposite of what one would normally expect – they are the reverse of normality.
The whole point of normality reversion is, of course, to give the reader a surprise. And if the surprise is big enough, the reversion can be sufficiently strong to support a complete story – just as Elsie does.
Certainly Elsie is the reverse of normality. Far from being a harmless, well-meaning soul, she turns out to be a professional blackmailer. She is such an unlikely character for the role of blackmailer that we are intrigued as the truth breaks through the storyline. And Elsie presents it all in such an innocent light: she is, she argues, providing a service to the community. In this way, Andy Humphrey stands our conventional understanding of things on its head. Elsie, and what she does, is a reversal of normality, and that is a technique for some very powerful story telling.
‘I like to draw out the untold stories which may lurk beneath the surface of the everyday characters around me,’ says Andy. ‘Elsie, in this story, was just one such character. In spite of her rather warped view of the world, I found I was beginning to empathise with and even to admire her as she developed in my imagination. There's a kind of desperation driving her, too, which had to express itself. I don't think she has quite finished telling me her story, yet. A lady like this is a guardian.’