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Competition Showcase – Fox Talking by Robert Burns

 

About Robert Burns
Robert Burns is a twenty-year old undergraduate student in his first year at the University of East Anglia. He is majoring in American Literature with a minor in Creative Writing. His home is in High Wycombe, where his father runs a bus company.
His writing tends towards the magical or slightly surreal. ‘I tend to deal with slightly anxious characters dealing with loss or regret in some way,’ he says. ‘These characters tend to use fantasy as something which they can project their emotions onto. Often my stories begin with a buzz word, theme or idea – like the Railway Ghost story – which I take and then run with.’

Fox Talking

by Robert Burns



A while ago I ended my love affair with baguettes.
Back when I commuted through Marylebone Station everyday, I’d grab a baguette from the baguette kiosk for breakfast and dinner. I’d eat this baguette on the waiting bench outside the florist. I don’t know exactly why I went for baguettes. All I know is that out of all the other foods I tried to romance, it was the firm crust and the variety of fillings the baguette offered which helped me to unwind after a long day at work.
My legs would be aching around this time from standing up all day, and I’d just kind of watch the people going past with their briefcases and shopping bags; talking into their mobile phones, and dragging their children round by the wrists. I’d eat my baguette, ham and cheese, or bacon or whatever, and I’d just watch. I’d watch and wonder where all those people were going to.
One day I was sitting there with my baguette, I think it was some kind of cheese with salad, I don’t remember. But I took a bite and looked up, and saw this Fox, about five seven just standing there in front of me, smoking his pipe and smiling. It scared the life out of me. No kidding. I nearly choked on my baguette. I was just trying to work out how best to react, when the next thing I know, he’s sat down next to me and he’s smoking away on his pipe, looking around at the people in the station through his rimless spectacles and talking at me.
‘Fine evening for a train journey,’ he said to me. Fine evening! I couldn’t believe it. I thought maybe I’d lost my mind or something, that maybe they’d doped my baguette back at the kiosk. But then the fox kept on talking. He introduced himself to me. Said his name was Richard and he was from Hampstead. Said he worked in publishing and had a wife and two children. He showed me a picture of them and everything; of these two little foxes, playing around a slide in the middle of summer, big smiles with lots of teeth. Then he turned to look at me, and said the oddest thing. ‘Is there anything you’d like to talk about?’ he asked me.
Now, under normal circumstances this might have seemed an ordinary question. But from the way he said it I knew he didn’t mean to talk about just anything. He meant did I actually want to talk about something important. And when I thought about it I guessed I did. I guessed I had a lot I wanted to talk about. And I looked up into the fox’s eyes and, I don’t know, something made me feel like I could trust them, you know. ‘Is it okay?’ I said to him.
‘Of course,’ he said, ‘talk about whatever you want and I’ll listen.’
And so I just talked, and that’s how it started. I just talked.
From then I met up with the fox maybe for three, maybe three and half weeks, in the same place every night. I’d be there eating and he’d stroll up and ask me what I would like to talk about and from then on I’d just talk. It was strange. You’d think people would notice this fox talking to a guy, but though we were in a station full of people, nobody ever paid us any attention. Sitting there with me, his pipe smoking up into the steel roof beams it was like me and the fox were behind this invisible force field.
I told him about everything pretty much. All the business with my Dad and brother, and what happened a few years ago when we were on holiday, that came right out. Just like all the stuff about work. At first I hadn’t wanted to go into details, but every time I met him I ended up telling him more and more, and it was only a matter of time before I talked about Hannah, before I ended up telling him everything about that too. I told him everything. From how we met and the places we went together, right down to the little things, like the way I used to sort of rest her hand in mine in winter so it wouldn’t get cold while we walked through the street, and how she chewed her food slightly to the left of her mouth.
I told him about how this one time, when we were making custard in my kitchen, and she kept adding all this brown sugar to the mix without me knowing, and how it got all grizzly and she couldn’t stop laughing. I told him about that. And though I hadn’t meant to I told him about how when she used to sleep next to me and I was awake I would run my fingertips up and down her arms, real slow and delicate-like, just to feel how soft her skin was. It was stuff like that I told the fox.
Now that I think about it, it all seems a bit sentimental, but at the time it seemed okay to say it and I told him about how when Hannah used to come over to stay I used to make sure my flat was always really tidy. Dust and hoover and go to town on the sheets – iron them and everything.
‘Iron the sheets?’ he said, his fox eyes all wide. ‘You ironed your sheets?’
I told him yeah. I told that even though it was stupid, I just liked it that she was getting in clean sheets to go to sleep. I told him it made me feel like I’d done something nice for her, you know. Just something little that she probably wouldn’t even notice, but something that I knew about all the same, and telling him all of these little things eventually led to me telling him about when she was meant to come round that night.
We were sitting on the bench. I’d just finished something with beef in. A few bits of the meat were still between my teeth, and I just went right ahead and told the fox about it. I started slow, telling him how I did the usual thing and got the flat ready that day. Did the hoovering, the sheets the whole shebang. I told him how I bought the stuff to cook her this real nice meal, with chicken and lots of vegetables – the healthy stuff. The stuff she liked. I talked about how I waited for her most of the night and she never came round, and then about how most of the other stuff was a blur, how for a few days after I found out people were leaving me messages all the time, wanting to know if there was anything they could do… and how I just couldn’t go to the machine to delete them. I said how for a couple of days I couldn’t really move – which sounds really
dramatic, but still, that’s what it was like. She umm… Yeah. I never felt like that before.
I told the fox all about what happened afterwards with the undertaker and all that stuff with her parents at the funeral: ‘If she hadn’t been on her way to you,’ all that stuff. And the fox, he sat there and listened, smoking his pipe and nodding and helping me along here and there. To this day I have no idea why he did that. Never once did he tell me about himself. In fact, now that I think about it, despite all the amount of stuff I told him, I never really asked the fox a great deal about anything. I never asked him about why he was a Fox or how come he could talk and smoke a pipe. I never asked him about any of that. All I ever learned about him was that he liked books by Hemingway and that he lived close to the station.
‘This place is special for me,’ he said once. ‘You could say there is a part of my soul here.’ And that was all I ever got to know about him, because one day I went to get my baguette and sat down and the fox didn’t show. Apart from me the bench was empty. I finished up my dinner watching the people as I had done many times before. I waited for a good half hour after I’d finished, hoping he’d show. But he never did. OK, I thought, maybe he got held up and couldn’t make it. I’ll see him tomorrow, and I got up to catch my next train.
On my way to leave I saw this little note that he’d left, that was addressed to me. It had my name on the back of this creamy coloured envelope in fancy handwriting. I opened it up and read it and got like a little stone in my throat. I still have the note with me if you want to hear. Hold on a sec, I’ll just get it out:
Dear Michael,
I regret to inform you that I won’t be able to make it in future. Something has come up and I have to return to somewhere. To a place I have been trying to avoid for quite some time. There are many things I would enjoy explaining to you. Perhaps when we meet again this will be possible. For now though, just let me just say that over the past few weeks I have greatly enjoyed your company, watching you eat your baguettes and listening to you speak. Though you might not think so, for me it has been a joy. And I hope you feel that talking to me has afforded you a release of some kind from your troubles, however small a release it may be. I hope this from the bottom of my heart.
Best wishes
Richard

That was when I ended my love affair with baguettes. I don’t know why. I just didn’t feel like one after that.


Judging comment
Robert Burns has come up with a totally surreal tale. Who and what is this fox that hangs around Marylebone Station? Apparently it is a fox that works in publishing and lives in Hampstead (on Hampstead Heath, presumably?).
In the middle of that thronging station, none of the other passengers see Mr Fox; only Michael sees him, and indeed talks to him. So is he a ghost, a spectre, or a fantasy? Certainly he is a sympathetic listener, which is why Michael tells him about Hannah’s death, and we can see that Michael is carrying a huge burden of guilt here.
Finally Richard Fox disappears to a place that he has to go to but which he has been trying to avoid. And it is a place where they will meet again someday. Is this ‘place’ the place that ghosts go to when they are not busy haunting? Is Hannah there as well? In fact did Hannah send Richard Fox to see Michael and help him lift his guilt? Like all the best surreal stories, Robert Burns’ tale poses more questions than it answers.